MOVIE GHOST PATRICK SWAYZE MOVIE
MOVIE GHOST PATRICK SWAYZE FULL

After Swayze read the end of the script out loud, Zucker changed his mind. Patrick really wanted to get the role, and Zucker allowed him to audition. Read more: Vintage footage of Patrick Swayze 'dirty dancing' with his wife Lisa Niemi is sensational

MOVIE GHOST PATRICK SWAYZE MOVIE

вЂњJerry wanted to see him on film, so went out and saw the movie Roadhouse, and we walked out of that movie and Jerry said to me, вЂOver my dead body,вЂ™вЂќ said Rubin. On the Ghost DVD, screenwriter Bruce Joel Rubin revealed how Zucker was against casting Patrick as Sam. It's hard to imagine anyone else play Sam in Ghost, but he was most definitely not the first choice. Two uninterrupted hours together before I resumed my rightful place as an annoying little shit.Wonder how Patrick Swayze was able to secure the role of a lifetime in Ghost? Take a behind-the-scenes look at this clip from the bonus content, available for the first time on DIGITAL HD July 7!Posted by Ghost on Tuesday, June 30, 2015 Most of all I loved it because my brother also loved it and that meant I got to spend time with him. At 12, I loved Ghost for the thrill of watching something I wasnвЂ™t really supposed to: I enjoyed the feeling of being older, watching grownups deal with grownup things such as sex and death. The truth is I cry a lot more at that final scene now than I ever did when I was younger. Just before he joins the angels, thereвЂ™s time for a quick interdimensional smooch and the immortal line: вЂњItвЂ™s amazing, Molly вЂ“ the love inside, you take it with you.вЂќ As an orchestral version of Unchained Melody begins, heaven opens up, shining the light of God on Sam as he becomes visible to Molly. The final scene is as saccharine as anything in cinema and yet, to late-90s me (and even now), itвЂ™s utterly irresistible. From romcom to The Exorcist without a breath. It goes from moments of slapstick comedy вЂ“ such as when Oda Mae and an invisible Sam visit a bank вЂ“ to bloodcurdling demonic abduction. This is the captivating thing about Ghost. If youвЂ™re worried whether Carl gets his comeuppance, fear not because not only does he get killed by a shard of glass, his soul is then dragged to hell by screaming shadows. Spoiler alert! It turns out SamвЂ™s best friend, Carl, organised the whole thing in a money-laundering ploy gone wrong. The rest of the film is ghost SamвЂ™s quest вЂ“ with the help of a film-stealing Whoopi Goldberg, who plays reluctant medium Oda Mae Brown вЂ“ to find out who killed him and why. WeвЂ™re not in Richard Curtis territory any more. Then thereвЂ™s the bit where he wakes up in bed and you think everythingвЂ™s fine, but, instead of Molly next to him, itвЂ™s the crumbling face of the angel statue. The ensuing scene in which Sam comes to terms with being dead was so scary I had to fast forward through it every time. Sam, and all his hopes, dreams and potential, are gone in an instant when heвЂ™s killed in an apparent mugging while walking back from the theatre with Molly. Laughing at death makes you feel alive, which is usually fine вЂ“ unless you happen to be the main protagonist in a film called Ghost. ItвЂ™s a moment that neatly exemplifies the arrogant exuberance of youth: when youвЂ™re young, death is seemingly so remote that it isnвЂ™t scary, itвЂ™s thrilling.

MOVIE GHOST PATRICK SWAYZE FULL

Footage of a plane crash plays ominously on the TV and thereвЂ™s a scene in which Sam, full of youth and promise, leaps out of a precarious top-floor window to retrieve the statue of an angel thatвЂ™s being hoisted into their apartment. Looking back on the film now, however, there are signs from the beginning that Sam and MollyвЂ™s world isnвЂ™t as charmed as it appears. (Imagine The Great Pottery Throw Down, except Keith Brymer Jones has a semi.) An attractive young couple вЂ“ Sam (Patrick Swayze) and Molly (Demi Moore) вЂ“ move into a new apartment, say вЂњDittoвЂќ instead of вЂњI love youвЂќ and do unspeakable things with pottery. For the first 20 minutes it could be a Richard Curtis romcom (although it came out in 1990 before any Richard Curtis romcoms). At various moments during its two-hour runtime, it is terrifying, ridiculous, sexy, hilarious, cheesy and poignant вЂ“ an alluring mix for a boy reaching puberty. Among the many tapes we had in the house, one in particular was just the right amount of unsuitable for a small boy вЂ“ the incomparable Ghost, which was thrillingly rated 15.ДЄ strange mix of horror, comedy, romance and thriller, Ghost doesnвЂ™t fit easily into any genre. In those days (the late 90s), inappropriate films were harder to come by. (IвЂ™m the youngest of three.) You see them doing exciting teenage stuff like going to the pub and watching inappropriate films and you think: вЂњI want a piece of that.вЂќ Since any attempt to join them in the pub was rightly met with an invitation to вЂњsod offвЂќ, watching inappropriate films it was. This feeling is particularly acute when you have older siblings. W hen youвЂ™re 12 the main thing you want to be is 13.

Movie ghost patrick swayze